BBC地平线：人工智能指南

简介：两名悍匪为了逃避追捕决定越境；两名偷猎者藏好猎物等待买家；一名女子只身前往无人区抓出轨老请观看视频，。三拨人在国境线附近突然遭遇沙尘暴，唯一可藏身保命的地方就是不远处的解放军边防哨所。留守值班的两名解放军战士同意他们暂时进入哨所避难，同时核查身份、记录备案。这三拨人在哨所内心思各异，解放军战士发现疑点后旁敲侧击，先后识破了偷猎者与悍匪的真实身份。一场短兵相接的恶战后，将悍匪狙击在国境线之内。

简介：　　Frank Agnew是个警局侦探，他为了复仇而实施了一起自认为完美无缺的谋杀请观看视频，

简介：　　18世纪的路易斯安娜州，丧失妻女痛不欲生的庄园主路易（布拉德·皮特 饰）遇上了吸血鬼莱斯塔特（汤姆·克鲁斯 饰），被其施法变成吸血鬼。路易心存人性，不愿意吸血杀人，靠吸食动物的血为生，而莱斯塔特则一心要把路易斯教导成一个真正的吸血同类请观看视频，　　在新奥尔良，路易禁不起诱惑吸了小女孩克萝迪娅（克尔斯滕·邓斯特 饰）的血，而莱斯塔特则不顾路易斯的反对把克萝迪娅也变成了吸血鬼。三个人组成了一个奇特的家庭。　　几十年过去了，克萝迪娅开始怨恨莱斯塔特剥夺了他真正的人生，她设计杀死了莱斯塔特，和路易周游世界，过着既像父女、又像情人的生活，寻找同类，也寻找着自身存在的意义。　　在巴黎，他们遇上了以阿蒙（安东尼奥·班德拉斯 饰）为首的一群吸血鬼，聚居在剧院地下，过着和他们迥然不同的生活，阿蒙给了路易许多教导，想成为路易的新伙伴，为此，路易和克萝迪娅之间出现了裂痕，最终，酿成了无可挽回的悲剧。　　1988年，路易斯返回了新奥尔良，向一个年轻记者马洛伊（克里斯琴·斯莱特 饰）讲述了自己的经历，讲述了吸血鬼长生不死背后的哀伤，不料，马洛伊在听完之后却被深深地吸引，一个新的吸血鬼的故事，将由此开始。

简介：杰夫（扎克·加利凡纳基斯 Zach Galifianakis 饰）与凯伦（艾拉·菲舍尔 Isla Fisher 饰）是一对住在城郊的夫妇，而他们发现新搬来的邻居并不简请观看视频，。这对新搬来的夫妇蒂姆（乔恩·哈姆 Jon Hamm 饰）与娜塔莉（盖尔· 加朵 Gal Gadot 饰）过得可谓是光彩夺目，精致无比。而当他们发现琼斯夫妇实际上是秘密特工后，事情就变得更加复杂了。

简介：含着金汤匙出生的千金大小姐韩智英（李秀景 饰）邂逅了名为柳善宇（安在旭 饰）的男子，柳善宇仪表堂堂而又风度翩翩，这让韩智英对他逐渐卸下了心房，她坚信，身为美术策展公司CEO的柳善宇之所以接近自己，是因为真情而非贪图她的财请观看视频，。　　然而这一次，韩智英看走了眼，因为实际上，柳善宇是一个口袋里一毛钱也没有的大骗子，他接近韩智英的目的只有一个，那就是得到她所拥有的价值连城的名画“卡拉蒂雅的眼泪”。可是，让柳善宇感到非常愤怒的是，每当自己的计划快要成功之时，都会有一个名叫宋慧（姜惠贞 饰）的女人跳出来搅局。

简介：请观看视频，The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

简介：《灵药危情》讲述的是被宠坏的大小姐乐华与骁阳城方明之间的故事，其中马启光饰方明，何杜娟饰乐请观看视频，。

简介：名侦探黎仁杰接受委托从东海市来到江城调查一桩古董失窃案，住入一间前晚有人自杀的酒店房间，却在当夜的密室中被杀害，妹妹黎丽被当做最大的嫌请观看视频，。黎丽决意为哥哥之死找出真相，唯一的线索是一首李白的唐诗“床前明月光，疑是地上霜”。刚刚着手调查就被人抢走关键物证，看似平静的小县城里暗流汹涌，警察、酒店老板、酒店服务员、神秘女住客、流氓、小偷、夺宝者、寻父少年，阴差阳错的借刀杀人，怀疑与信任，试探与背叛，一一上演。

简介：电影讲述了一心只想过“60分及格人生”女汉子的田小乐（陈瑶 饰）在遇到了有“100分光环的救世主”成大业（禾浩辰 饰）之后，生活开始有了巨大的变化，并心甘情愿充当对方的“铁哥们”，以朋友的名义默默的暗恋着成大业，但其实二人在内心深处对于彼此一直隐藏着那份最真挚的情请观看视频，。经历了人生各种辗转、等待与错过，回到爱的最初，才发现原来一见钟情是世界上最简单的事。

简介：　　印尼耶加达的三个视障学生，唱唱歌，上上学，心里还想谈谈情说说爱吧。戴安娜开开心心地长大了，一如所愿地发育为成熟的女人。费莉芝面目清秀，却是男人的肉欲玩物，听障男恋上视障女，一开始还是可望而不可即，终于还是用假身份愈走愈近，打得火热。玛雅自出世就失明，与另一位同学出双入对，她的心底有一个表演梦请观看视频，　　《谈情不说爱》是印尼年轻女导演慕妮苏莉亚的第二部作品，已经从容自若，青涩的视障学生也许看不清楚面前的事物，却在成长路上看到自我与他人的沟通桥梁。

简介：　　瓦茨太太再也不愿和脾气不好的儿媳杰西、儿子路迪生活在一起了，一天，她悄悄离开家，踏上她朝思暮想的故乡“邦蒂富尔”之途，但邦蒂富尔早已名存实亡了，无论火车还是汽车站，行车表上都没有这一站，一位好心的镇长开车送她到了邦蒂富尔，眼前的邦蒂富尔：居民全部走光，房屋早已变成了废墟，久已荒芜的棉田里长满了杂草和野花。瓦茨太太在她家门前留连忘返…请观看视频，　　杰拉尔丁·佩奇扮演的卡里·瓦茨，创造了一个丰满动人的形象，它不仅仅表现一个女人，更表现出了她的一生。她富有魅力的表演与整部影片融为一体，使她的第八次奥斯卡奖提名终于修成正果，获第58届奥斯卡最佳女演员奖。

简介：与丈夫离婚后，女儿以“跟着学京戏”为由将10岁的儿子京京（费洋）丢给了早年丧妻今独自在南方城市生活的老父亲（朱旭请观看视频，。多年前，名噪一时的京戏琴师父亲因不满女儿婚事及对京戏的逃避，与之心生罅隙，祖孙两人初见尴尬之外，他对京京还有种莫名的怨恨。无意间知道女儿已同丈夫离婚时，父亲对京京愧疚之外多出怜爱，祖孙两人情感日趋正常。　　祖孙两人渡江拜会也是独自生活的佛教徒莲姑（王玉梅），莲姑一席话让京京初识人生，心细的他也发现外公与莲姑早已相敬如夫妻。莲姑收到杳无音信40年的丈夫从台湾寄来的信件，外公一时心重如山，但莲姑并没等来她的丈夫而是听到噩耗，不久也重病不治故去。弥留之际，莲姑表示对外公多年的照顾不胜感激，并希望他能替自己超度。为了帮莲姑达成心愿，外公忍痛欲卖胡琴，这时，京京给了他意外的感动。