七月十三之龙婆
10.0 |03月31日 |HD
简介:
剧情简介: 吴大维,李嘉欣,黄子华,罗兰,卢敏仪主演的【七月十三之龙婆】,是由 钱升玮导演的剧情片,上映于1996,风流成性的警察郭家伦(吴大维 饰)和昔日的女友罗娜(李嘉欣 饰)被上司分到了一组,罗娜对当年郭家伦和自己分手一事仍然介详情请观看视频,。一女学生跳楼自杀,有少女目击者向郭、罗二人反映看见坠楼者被一老婆婆推下楼并提供了画像。不久目击少女亦遭遇意外,大难不死之余在梦中见到了催人自杀的老人——“龙婆”(罗兰 饰)。郭家伦在警局内得到线索:当年曾有一警员因调查类似连环疑似自杀案而罹患精神病,郭、罗二人随即拜访了这位昔日同行关德英(黄子华 饰)。关德英透露了《自杀手册》的存在和见到龙婆的方法,目击少女最终自杀身亡。郭、罗二人放出关德英协助调查,他们发现一家书店和龙婆以及龙婆的《自杀手册》有关联……
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不安
1954
剧情片
HD
不安
更新时间:03月31日
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
简介:请观看视频,Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
剧情片
1954
不安
主演:英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特
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